Spanish Photographer Alberto García Alix: Front View, Boxer’s View Reply

Alberto Garcia Alix

Alberto Garcia–Each boxing match is a story: a drama without words. Alberto García-Alix´s photographs are also condensed stories, silent but eloquent stories. These are images imbued with a lyricism and stripped of artifice, poetry that always finds a place to settle within the framework: the tension in the foreshortening of a face, the tip of a shoe, a skewered vagina, the body of a bird, fuzzy profiles of a building … Direct poetry that explodes before our eyes with the radiance of a whiplash. A vocational fighter, when García Alix concludes one of his joyful battles with images, there is only one winner standing on the canvas: his glance. A frontal view. A look of fighter. Pure epic.

García-Alix´s technique has evolved toward a meticulous use of black and white. His visual speech is composed in accordance with the maps that his life’s itinerary has sketched out, maps onto which the photographer sketches his mysterious, emotional and compelling artistic cartography.  A broad map on which objects and landscapes appear, photographs in which Alberto García-Alix captures the scenes of his own biography: houses, streets, roads and trails open up to infinity. Walls, facades and windows bounded by the camera lens. Open spaces on which his gaze jumps around and becomes introspective until enclosing itself in the four walls of a bare room.



The Streets, the Land, Bucolic Decay –Jamie Rea’s Portfolio Reply

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Jean Dominique Dallet’s Portfolio–The People of Spain 1

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