This year is the 400th anniversary of El Greco’s death but his works can feel shockingly modern. Jason Farago examines how his works influenced Manet, Cézanne, Picasso and Pollock.
BBC.com–Few artists stick out from the standard tale of western painting more pointedly than El Greco, the great outlier of the late 16th Century. Deeply religious, passionately single-minded, he merged the art traditions of three different countries and found his own unsettling painterly language, one that took a very long time to find its most receptive audience.
Flip through the pages of a textbook or wander through the permanent collection of a major museum and you can sometimes fool yourself that art history is a clear and predictable progression, one style and one century inevitably giving way to the next. But art history, we know, isn’t nearly so simple, and El Greco, like few other painters, gives the great delight of seeing that story disrupted and contradicted.
Read more on BBC.com: El Greco: A Modern Artist in the 16th Century