A Peek Inside the Prado Museum’s Paper Restoration Workshop
Jose Manuel Matilla, chief of the Prado’s department of drawings and prints, gives us some insight into the restoration of Francisco de Goya’s “Caprichos amarillos” (a reference used internally that you will not find published), fourteen preliminary drawings for his “Caprichos” etchings portfolio. These were unburdened of the layer of yellow starch varnish applied to them at the beginning of the 20th century, and the paper was reconditioned, rehumidified and flattened. A bonus is the explanation of the work done on one of the artist’s most iconic drawings, “Aún aprendo,” “I’m still learning,” one of Goya’s last drawings made during his final years of merciful exile in Bordeaux. The restoration was based on a photograph of the drawing in its original condition.